About: Narración de la creación del Génesis

La narración de la creación del Génesis es el mito de la creación tanto del judaísmo como del cristianismo. Dos historias de creación se encuentran en los primeros dos capítulos del Libro del Génesis. En la primera (Génesis 1:1-2:3), Elohim, la palabra hebrea genérica para Dios, crea los cielos y la tierra en seis días, luego descansa, bendice y santifica el séptimo. En la segunda historia (Génesis 2:4-2:24), Dios, al que ahora se hace referencia por el nombre personal YHWH, crea a Adán, el primer humano, del polvo y lo coloca en el Jardín del Edén, donde se le da el dominio sobre los animales. Eva, la primera mujer, es creada de Adán y es su compañera.

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dbo:abstract	La narración de la creación del Génesis es el mito de la creación tanto del judaísmo como del cristianismo. Dos historias de creación se encuentran en los primeros dos capítulos del Libro del Génesis. En la primera (Génesis 1:1-2:3), Elohim, la palabra hebrea genérica para Dios, crea los cielos y la tierra en seis días, luego descansa, bendice y santifica el séptimo. En la segunda historia (Génesis 2:4-2:24), Dios, al que ahora se hace referencia por el nombre personal YHWH, crea a Adán, el primer humano, del polvo y lo coloca en el Jardín del Edén, donde se le da el dominio sobre los animales. Eva, la primera mujer, es creada de Adán y es su compañera. Tomando prestados temas de la mitología mesopotámica, pero adaptándolos a la creencia del pueblo israelita en un solo Dios, el primer gran borrador completo del Pentateuco (la serie de cinco libros que comienza con Génesis y termina con Deuteronomio) fue compuesto a fines del siglo VII a. C. o en del siglo VI a. C. (la fuente yahvista) y luego fue expandido por otros autores (la fuente sacerdotal) en una obra muy similar a la que tenemos hoy. Las dos fuentes se pueden identificar en la narrativa de la creación: Génesis 1:1-2:3 es sacerdotal y Génesis 2:4-2:24 es yahvista. La narrativa combinada es una crítica de la teología mesopotámica de la creación: Génesis afirma el monoteísmo y niega el politeísmo. Robert Alter describió la narración combinada como «convincente en su carácter arquetípico, su adaptación del mito a fines monoteístas». El malentendido del género de la narración de la creación del Génesis, es decir, la intención de los autores y la cultura dentro de la cual escribieron, puede dar como resultado una lectura incorrecta. Bruce Waltke, un conocido erudito evangélico, advierte contra una de esas lecturas erróneas, el enfoque que lo lee como historia en lugar de teología y por lo tanto conduce al creacionismo y la negación de la evolución. Como señaló el experto en estudios judíos, Jon D. Levenson: «¿Cuánta historia hay detrás de la historia del Génesis? Porque la acción de la historia primitiva no se representa como si tuviera lugar en el plano de la historia humana ordinaria y tiene tantas afinidades con la mitología antigua, es muy exagerado hablar de sus narrativas como históricas en absoluto». (es) La narración de la creación del Génesis es el mito de la creación tanto del judaísmo como del cristianismo. Dos historias de creación se encuentran en los primeros dos capítulos del Libro del Génesis. En la primera (Génesis 1:1-2:3), Elohim, la palabra hebrea genérica para Dios, crea los cielos y la tierra en seis días, luego descansa, bendice y santifica el séptimo. En la segunda historia (Génesis 2:4-2:24), Dios, al que ahora se hace referencia por el nombre personal YHWH, crea a Adán, el primer humano, del polvo y lo coloca en el Jardín del Edén, donde se le da el dominio sobre los animales. Eva, la primera mujer, es creada de Adán y es su compañera. Tomando prestados temas de la mitología mesopotámica, pero adaptándolos a la creencia del pueblo israelita en un solo Dios, el primer gran borrador completo del Pentateuco (la serie de cinco libros que comienza con Génesis y termina con Deuteronomio) fue compuesto a fines del siglo VII a. C. o en del siglo VI a. C. (la fuente yahvista) y luego fue expandido por otros autores (la fuente sacerdotal) en una obra muy similar a la que tenemos hoy. Las dos fuentes se pueden identificar en la narrativa de la creación: Génesis 1:1-2:3 es sacerdotal y Génesis 2:4-2:24 es yahvista. La narrativa combinada es una crítica de la teología mesopotámica de la creación: Génesis afirma el monoteísmo y niega el politeísmo. Robert Alter describió la narración combinada como «convincente en su carácter arquetípico, su adaptación del mito a fines monoteístas». El malentendido del género de la narración de la creación del Génesis, es decir, la intención de los autores y la cultura dentro de la cual escribieron, puede dar como resultado una lectura incorrecta. Bruce Waltke, un conocido erudito evangélico, advierte contra una de esas lecturas erróneas, el enfoque que lo lee como historia en lugar de teología y por lo tanto conduce al creacionismo y la negación de la evolución. Como señaló el experto en estudios judíos, Jon D. Levenson: «¿Cuánta historia hay detrás de la historia del Génesis? Porque la acción de la historia primitiva no se representa como si tuviera lugar en el plano de la historia humana ordinaria y tiene tantas afinidades con la mitología antigua, es muy exagerado hablar de sus narrativas como históricas en absoluto». (es)
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prop-es:apellido	Smith (es) Pitard (es) Smith (es) Pitard (es)
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prop-es:archiveurl	https://web.archive.org/web/20140429190036/http:/home.comcast.net/~oregonstate-fscf/fscf_apr_19_2006_acro5.pdf
prop-es:authorLink	Francis Andersen (es) Francis Andersen (es)
prop-es:authorlink	Robert Alter (es) Frank Moore Cross (es) Gordon Wenham (es) John H. Walton (es) Alexander Heidel (es) David Aune (es) Mark S. Smith (es) Nahum Sarna (es) Stephanie Dalley (es) Walter Brueggemann (es) Robert Alter (es) Frank Moore Cross (es) Gordon Wenham (es) John H. Walton (es) Alexander Heidel (es) David Aune (es) Mark S. Smith (es) Nahum Sarna (es) Stephanie Dalley (es) Walter Brueggemann (es)
prop-es:chapter	Genesis (es) Introduction (es) Creation (es) Introduction to the Pentateuch (es) Cosmology (es) Creation in Paul's Theology (es) Translation (es) A dictionary of creation myths (es) Biblical creation (es) Chapter 6 Midrash (es) Creation Ex Nihilo: Early History (es) Eden Sketches (es) Genesis 1:1–2.4 (es) Genesis and Science (es) Genesis: Introduction and Annotations (es) Genre, Concept of (es) Hashem/Elokim: Mixing Mercy with Justice (es) On Reading Genesis 1–3 (es) Rib (es) Creatio ex nihilo: its Jewish and Christian foundations (es) The Garden of Eden Story (es) The Mists of Time: Genesis I–II (es) The Pentateuch (es) The Priestly Work (es) The Image of God, the Wisdom of Serpents, and the Knowledge of Good and Evil (es) The Story of Paradise in the Light of Mesopotamian Culture and Literature (es) Genesis (es) Introduction (es) Creation (es) Introduction to the Pentateuch (es) Cosmology (es) Creation in Paul's Theology (es) Translation (es) A dictionary of creation myths (es) Biblical creation (es) Chapter 6 Midrash (es) Creation Ex Nihilo: Early History (es) Eden Sketches (es) Genesis 1:1–2.4 (es) Genesis and Science (es) Genesis: Introduction and Annotations (es) Genre, Concept of (es) Hashem/Elokim: Mixing Mercy with Justice (es) On Reading Genesis 1–3 (es) Rib (es) Creatio ex nihilo: its Jewish and Christian foundations (es) The Garden of Eden Story (es) The Mists of Time: Genesis I–II (es) The Pentateuch (es) The Priestly Work (es) The Image of God, the Wisdom of Serpents, and the Knowledge of Good and Evil (es) The Story of Paradise in the Light of Mesopotamian Culture and Literature (es)
prop-es:chapterurl	https://books.google.com/books%3Fid=0EqnRc4FF30C&pg=PA108&dq=divine+names+mercy+justice+judaism&ei=tFQeS8KoGYHMM-uekfoI&cd=10%23v=onepage&q=&f=false
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prop-es:editor	Andrew Louth (es) John Barton (es) Watson E. Mills (es) Gary B. Ferngren (es) Paul Morris, Deborah Sawyer (es) Ronald Hendel (es) T. Desmond Alexander, David Weston Baker (es) Andrew Louth (es) John Barton (es) Watson E. Mills (es) Gary B. Ferngren (es) Paul Morris, Deborah Sawyer (es) Ronald Hendel (es) T. Desmond Alexander, David Weston Baker (es)
prop-es:editor1First	Adele (es) John (es) David B. (es) Leland (es) W.H. (es) Geoffrey W. (es) Katherine J (es) Yair (es) Michael Patrick (es) James Douglas Grant (es) Adele (es) John (es) David B. (es) Leland (es) W.H. (es) Geoffrey W. (es) Katherine J (es) Yair (es) Michael Patrick (es) James Douglas Grant (es)
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prop-es:editor2First	Carlo (es) John (es) Baruch (es) David Noel (es) Graham (es) Jim (es) Linda S. (es) Marc Zvi (es) Henning Graf (es) J. John William (es) M. Patrick (es) Carlo (es) John (es) Baruch (es) David Noel (es) Graham (es) Jim (es) Linda S. (es) Marc Zvi (es) Henning Graf (es) J. John William (es) M. Patrick (es)
prop-es:editor2Last	Wilhoit (es) Halpern (es) Graham (es) Davies (es) Rogerson (es) Freedman (es) Brettler (es) Reventlow (es) Muddiman (es) Cogliati (es) Schearing (es) Wilhoit (es) Halpern (es) Graham (es) Davies (es) Rogerson (es) Freedman (es) Brettler (es) Reventlow (es) Muddiman (es) Cogliati (es) Schearing (es)
prop-es:editor3First	D.N. (es) Janet M. (es) Tremper (es) Valarie H. (es) Yee Von (es) D.N. (es) Janet M. (es) Tremper (es) Valarie H. (es) Yee Von (es)
prop-es:editor3Last	Ziegler (es) Koh (es) Longman (es) Freedman (es) Soskice (es) Ziegler (es) Koh (es) Longman (es) Freedman (es) Soskice (es)
prop-es:editor4First	Colin (es) William R. (es) Colin (es) William R. (es)
prop-es:editor4Last	Duriez (es) Stoeger (es) Duriez (es) Stoeger (es)
prop-es:editor5First	Douglas (es) Douglas (es)
prop-es:editor5Last	Penney (es) Penney (es)
prop-es:editor6First	Daniel G. (es) Daniel G. (es)
prop-es:editor6Last	Reid (es) Reid (es)
prop-es:editorFirst	Ada (es) Kristen E. (es) Ada (es) Kristen E. (es)
prop-es:editorLast	Kvam (es) Feyerick (es) Kvam (es) Feyerick (es)
prop-es:first	Israel (es) Raphael (es) Michael (es) Patrick (es) Walter (es) Andrew (es) Lewis (es) Conrad (es) John (es) G.I. (es) Gottfried (es) Stephanie (es) James (es) Margaret (es) Alexander (es) Gerhard (es) Gordon (es) G.P. (es) Louis (es) Joseph (es) David (es) Howard (es) Bruce (es) Naomi (es) Paul (es) Frank Moore (es) Leonard (es) Jeremy (es) Jean-Louis (es) Robert (es) David M. (es) Shawna (es) Paul H. (es) Stephen M. (es) Christopher B. (es) David E. (es) J. A. (es) John F. (es) David A. (es) John H. (es) Terje (es) Victor H. (es) John J. (es) Othmar (es) Peter C. (es) W. G. (es) Janet M. (es) Jon D. (es) Matthew A. (es) J. Edward (es) W.H. (es) Mark S. (es) John William (es) Mark W. (es) Jacques T. A. G. M. (es) Aryeh (es) Mark Zvi (es) David W (es) Barry L. (es) Douglas A (es) Victor P (es) Laurence A. (es) Richard Elliott (es) Caren (es) Francis I. (es) John F.A. (es) Arie van der (es) David Toshio (es) Elliot K. (es) Ephraim Avigdor (es) Ernin (es) Evelyn and Frank (es) Jerome T. (es) Mignon R (es) Nahum M. (es) R.N (es) Ralpth C (es) V. Steven (es) Israel (es) Raphael (es) Michael (es) Patrick (es) Walter (es) Andrew (es) Lewis (es) Conrad (es) John (es) G.I. (es) Gottfried (es) Stephanie (es) James (es) Margaret (es) Alexander (es) Gerhard (es) Gordon (es) G.P. (es) Louis (es) Joseph (es) David (es) Howard (es) Bruce (es) Naomi (es) Paul (es) Frank Moore (es) Leonard (es) Jeremy (es) Jean-Louis (es) Robert (es) David M. (es) Shawna (es) Paul H. (es) Stephen M. (es) Christopher B. (es) David E. (es) J. A. (es) John F. (es) David A. (es) John H. (es) Terje (es) Victor H. (es) John J. (es) Othmar (es) Peter C. (es) W. G. (es) Janet M. (es) Jon D. (es) Matthew A. (es) J. Edward (es) W.H. (es) Mark S. (es) John William (es) Mark W. (es) Jacques T. A. G. M. (es) Aryeh (es) Mark Zvi (es) David W (es) Barry L. (es) Douglas A (es) Victor P (es) Laurence A. (es) Richard Elliott (es) Caren (es) Francis I. (es) John F.A. (es) Arie van der (es) David Toshio (es) Elliot K. (es) Ephraim Avigdor (es) Ernin (es) Evelyn and Frank (es) Jerome T. (es) Mignon R (es) Nahum M. (es) R.N (es) Ralpth C (es) V. Steven (es)
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prop-es:publisher	dbpedia-es:Liturgical_Press Brill (es) Harvard University Press (es) John Wiley & Sons (es) Cambridge University Press (es) Oxford University Press (es) W. W. Norton & Company (es) Random House (es) William B. Eerdmans Publishing Company (es) HarperCollins (es) Doubleday (es) ABC-CLIO (es) Basic Books (es) Kessinger Publishing (es) NYU Press (es) Indiana University Press (es) Eisenbrauns (es) Westminster John Knox Press (es) Paulist Press (es) InterVarsity Press (es) Baker Academic (es) Zondervan (es) Cosimo, Inc. (es) Mercer University Press (es) Peeters (es) Society of Biblical Literature (es) Eerdmans (es) T&T Clark (es) Chicago University Press (es) Jewish Publication Society (es) Westminster John Knox (es) Liturgical Press (es) Sheffield Academic Press (es) Westminster Press (es) Word Books (es) Westminster/John Knox Press (es) IVP Academic (es) T&T Clarke International (es) Wadsworth Publishing Company (es) College Press (es) Cosimo Inc (es) Garland Publishing, Inc (es) Mesorah Publication, Ltd. (es) Oxford University Press USA (es) Sheffield Academic Press Press (es) Sheffield Phoenix Press (es) Walter de Gruyter Publisher (es) Westminster Theological Seminary (es) William B Eerdmans Publishing Co (es) Wm. B. Eerdmans Publishing Company (es)
prop-es:series	Exploring the Bible Series (es) New International Commentary on the Old Testament (es) Exploring the Bible Series (es) New International Commentary on the Old Testament (es)
prop-es:title	Genesis (es) 70.0 Jeremiah (es) Mercer Dictionary of the Bible (es) Eerdmans Commentary on the Bible (es) Westminster Dictionary of the New Testament and Early Christian Literature (es) The Early History of Heaven (es) The Hebrew Bible Today: An Introduction to Critical Issues (es) Dictionary of the Old Testament: Pentateuch (es) Oxford Bible Commentary (es) The Jewish study Bible (es) Creation in Jewish and Christian Tradition (es) The Book of Genesis: Chapters 1–17 (es) The Five Books of Moses (es) Reading the Old Testament: An Introduction to the Hebrew Bible (es) Exploring the Old Testament: A Guide to the Pentateuch (es) Creation, Un-Creation, Re-Creation: A Discursive Commentary on Genesis 1–11 (es) Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible (es) Hebrew Myths: The Book of Genesis (es) The Gilgamesh Epic and Old Testament Parallels (es) The International Standard Bible Encyclopedia, Volume 4 (es) Beginnings: Ancient Christian Readings of the Biblical Creation Narrative (es) A Walk in the Garden: Biblical, Iconographical and Literary Images of Eden (es) Prologue to History: The Yahwist As Historian in Genesis (es) A New Look at the Babylonian Background of Genesis (es) An Introduction to the Bible (es) An Introduction to the Old Testament (es) Babylonian Genesis (es) Backgrounds for the Bible (es) Biblical Myth and Rabbinic Mythmaking (es) Creatio Ex Nihilo (es) Creation Myths of the World: An Encyclopedia (es) Creation and the God of Abraham (es) Dictionary of Biblical Imagery (es) Echoes of Eden (es) Encyclopedia of Religion and Ethics, Part 10 (es) Genesis 1–11 (es) Genesis 1–15 (es) Genesis, Isaiah, and Psalms (es) Genesis, Volume 1 (es) Genesis: World of Myths and Patriarchs (es) How To Read the Bible (es) Interpretation of Genesis (es) Introduction to Reading the Pentateuch (es) Myths and Legends of Babylonia and Assyria (es) Enuma Elish: The Seven Tablets of Creation; The Babylonian and Assyrian Legends Concerning the Creation of the World and of Mankind (es) Primaeval History Interpreted (es) Reading Genesis: Ten Methods (es) Reading the Fractures in Genesis (es) Reading the Pentateuch: A Historical Introduction (es) Style and Structure in Biblical Hebrew Narrative (es) The Art of Biblical narrative (es) The Aryeh Kaplan Reader: The Gift He Left Behind (es) The Bible with Sources Revealed (es) The Divine Symphony: The Bible's Many Voices (es) The Hebrew Bible and its Interpreters (es) The IVP Bible Background Commentary: Old Testament (es) The Legends of the Jews (es) The Literary Genre of Genesis, Chapter One (es) The Multiple Truths of Myths (es) The Oxford Companion to World Mythology (es) The Symbolism of the Biblical World (es) Tree of Souls: The Mythology of Judaism (es) Woman in the World of Jesus (es) These Are the Generations: Identity, Covenant and the Toledot Formula (es) The Meaning of Creation: Genesis and Modern Science (es) The Seventy Faces of Torah: The Jewish way of Reading the Sacred Scriptures (es) Eve and Adam: Jewish, Christian, and Muslim Readings on Genesis and Gender (es) Gender, Power, and Persuasion: The Genesis Narratives and Contemporary Perspectives (es) Canaanite Myth and Hebrew Epic: Essays in the History of the Religion of Israel (es) Between Heaven and Earth: Divine Presence and Absence in the Book of Ezekiel (es) The History of Science and Religion in the Western Tradition: An Encyclopedia (es) The Social Meanings of Sacrifice in the Hebrew Bible: A Study of Four Writings (es) Creation And Destruction: A Reappraisal of the Chaoskampf Theory in the Old Testament (es) The Origins of Biblical Monotheism: Israel's Polytheistic Background and the Ugaritic Texts (es) The Firmament and the Water Above: The Meaning of Raqia in Genesis 1:6–8 (es) Creational Theology and the History of Physical Science (es) The Early History of God: Yahweh and the Other Deities in Ancient Israel (es) Isaiah 51:9–11 and the Rhetorical Appropriation and Subversion of Hostile Theologies (es) Twilight of the Gods: Polytheism in the Hebrew Bible (es) Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others (es) The Ugaritic Baal Cycle: Volume II. Introduction with Text, Translation and Commentary of KTU/CAT 1.3-1.4 (es)
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(es)
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dct:subject	category-es:Mitología_de_la_creación_y_muerte category-es:Génesis category-es:Mitología_comparada category-es:Mitología_cristiana category-es:Mitología_del_judaísmo category-es:Adán_y_Eva
rdfs:comment	La narración de la creación del Génesis es el mito de la creación tanto del judaísmo como del cristianismo. Dos historias de creación se encuentran en los primeros dos capítulos del Libro del Génesis. En la primera (Génesis 1:1-2:3), Elohim, la palabra hebrea genérica para Dios, crea los cielos y la tierra en seis días, luego descansa, bendice y santifica el séptimo. En la segunda historia (Génesis 2:4-2:24), Dios, al que ahora se hace referencia por el nombre personal YHWH, crea a Adán, el primer humano, del polvo y lo coloca en el Jardín del Edén, donde se le da el dominio sobre los animales. Eva, la primera mujer, es creada de Adán y es su compañera. (es) La narración de la creación del Génesis es el mito de la creación tanto del judaísmo como del cristianismo. Dos historias de creación se encuentran en los primeros dos capítulos del Libro del Génesis. En la primera (Génesis 1:1-2:3), Elohim, la palabra hebrea genérica para Dios, crea los cielos y la tierra en seis días, luego descansa, bendice y santifica el séptimo. En la segunda historia (Génesis 2:4-2:24), Dios, al que ahora se hace referencia por el nombre personal YHWH, crea a Adán, el primer humano, del polvo y lo coloca en el Jardín del Edén, donde se le da el dominio sobre los animales. Eva, la primera mujer, es creada de Adán y es su compañera. (es)
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